Better Days Big Machine Black Balloon Sympathy Album, Agosto , Warner Music Group. Tracklist DISC 1 1. Hate This Place 2. Stop the World 3. Long Way Down 4. All Eyes on Me Live 5. Lazy Eye 6. Iris Demo 7. I'm Awake Now 8. Torn Apart 9. No Way Out String of Lies Remix Without You Here Only One Truth Is a Whisper What a Scene I Wanna Destroy You Wait for the Blackout Slave Girl Don't Change I Don't Want to Know Live There You Are 2.
We Are the Normal 3. Only One 4. Name 6. Naked 7. Long Way Down 8. Lazy Eye 9. Slide Dizzy Broadway Here Is Gone Stay with You Live Let Love in Live Slide Live at Red Rocks Feel the Silence Live at Red Rocks Slave Girl Live at Red Rocks Better Days Live at Red Rocks.
Home 2. Sweetest Lie 3. Now I Hear 4. Still Your Song 5. Broadway Live. Album, 31 Agosto , Warner Music Group. Sweetest Lie 2. As I Am 3. Home 4. Notbroken 5. One Night 6. Nothing Is Real 7. Now I Hear 8. Still Your Song 9. Something for the Rest of Us Say You're Free Hey Ya' Soldier Total playing time Album, 07 Maio , Warner Music Group.
Rebel Beat 2. When the World Breaks Your Heart 3. Slow It Down 4. Caught in the Storm 5. Bringing on the Light 6. Come to Me 7. More of You 8. Bulletproofangel 9. Last Hot Night Happiest of Days Keep the Car Running. Album, 06 Maio , Warner Music Group. Over And Over 2. Souls in the Machine 3. Flood 4. Wednesday 11 August Thursday 12 August Friday 13 August Saturday 14 August Sunday 15 August Monday 16 August Tuesday 17 August Wednesday 18 August Thursday 19 August Friday 20 August Saturday 21 August Sunday 22 August Monday 23 August Tuesday 24 August Wednesday 25 August Thursday 26 August Friday 27 August Saturday 28 August Sunday 29 August Monday 30 August Tuesday 31 August Wednesday 1 September Thursday 2 September Friday 3 September Saturday 4 September Sunday 5 September Monday 6 September Tuesday 7 September Wednesday 8 September Thursday 9 September Friday 10 September Saturday 11 September Sunday 12 September Monday 13 September Tuesday 14 September Wednesday 15 September Thursday 16 September Friday 17 September Saturday 18 September Sunday 19 September Monday 20 September Tuesday 21 September Wednesday 22 September Thursday 23 September Friday 24 September Saturday 25 September Sunday 26 September Monday 27 September Tuesday 28 September Wednesday 29 September Thursday 30 September Friday 1 October Saturday 2 October Sunday 3 October Monday 4 October Tuesday 5 October Wednesday 6 October Thursday 7 October Friday 8 October Saturday 9 October Sunday 10 October Monday 11 October Tuesday 12 October Wednesday 13 October Thursday 14 October Friday 15 October Saturday 16 October Sunday 17 October Monday 18 October Tuesday 19 October Wednesday 20 October Thursday 21 October MIDI is strictly depends on the hardware where it was created.
If you ever changed your synth, there's no warranty that you'll get a great sound on your new synth with you old midi-sources! You can try to open an existing midi-source in a sequencer such as Cubase, Fruity Loops, Pro Tools or any other , install all VST-instruments required, and only after then you'll get some meaningful result. So, MIDI provides to you lots of opportunities to make a custom mix, but you have to be technically advanced enough to do it.
Even if you're experienced already, customization with midi-sources takes a time, and it's a problem! The next two heroes of our story are such backing tracks created by cutting of original songs or produced with the help of existing voice removal tools. In the case of cutting, there're no difficulties it this thing. Open any editor Audacity, Sound Forge, Abobe Audition , select any fragment of an original song without voice and copy it again and again.
But problem is that the song's arrangements are very sophisticated sometimes and you'll not be able to find a good piece to copy-paste a bridge, for instance. That is where the work of voice-removal and voice-reduction instruments. Let's look at what's happening with the sound when we apply voice-removal, why is this so ugly and your ears go numb when you listen to such phonograms.
Voice removal tools make a new copy of an original mix where the vocal is looking like deleted with the help of phase inversion. Practically, yes. Not only lead singer's signal is destroyed this way! Not only the main vocal but also other instruments are located in the center of stereo pan. These important instruments include bass and kick. While we increasing the level of phase inversion, distortions will appear inevitably and be noticeable by ear.
Bass and kick will suffer first it causes psychoacoustic factors. Strictly speaking, 99 percent of sounding instruments are presented in the center one way or another, and the whole phonogram will suffer. This is a lion's share of a good commercial mix. Let's take to account that delays and revs occupy all width of the stereo base and fly away all over the stereo panorama. Their sounding merges with all the rest instruments, and the so-called masking effect acts. Even if you decide on making it, you will have to delete all music, leaving just the stereo panorama periphery, its leftmost and rightmost points.
That's why phonograms got by the voice-removal method have unpleasant characteristic artifacts and overtones, being easily differentiated while hearing and not disposing of high sound quality.
For those, who still want to experiment with vocal deletion, we have a fully automated online tool. You can try in by this link. Download any file in mp3 format and receive a result in the form of the link for downloading!
The reason is not in that scientists do not think about musicians, the reason is that the music has a very complex physical and psychological nature, perception of music is grounded on some psychoacoustic phenomena, and all these things are interwoven into our concept, and poorly formalized. It makes music hardly preparable even with the most advanced existing technologies! We can say that we're only in the beginning. So, let's make interim conclusions of our discourse.
Voice removal tools are simple, but they work as uglyfiers, with a huge loose of quality. Karaoke is commonly accessible but not flexible.
What should we do? Would you like to record all parts yourself? Do you play all the instruments well? Do you have backing vocals or you sing well? Is your hearing good enough to transcribe all parts exactly? Do you have a lot of time to do all this? But what if you have a busy schedule, and tomorrow you need, let's say twenty new backing tracks? All that can only lead to one conclusion.
Let us finally say to you this magic word Every instrument is recorded separately in isolation of others in the multitrack source and saved in a separate file. You can apply any settings equalization, compression, or reverberation to any channel or a group of them. All you have to do is to download the set of files to your favorite program! One more big advantage lies in a more qualitative transposition the tonality change in comparison with an ordinary phonogram. In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration will be lower; the level of noise will decrease in accumulating signals.
Compare and feel the difference! Here is the example. You get an opportunity to create lots of mix versions. You can replay any part in a multitrack. Also, you are able to prolong or shorten songs on several bars, inset new solo or full episodes due to copying and inserting, and hide all patches carefully. It allows verifying accompaniment. Change arrangements to your taste!
The process of multitrack modification is simplified thanks to the fact that they have separate metronome tracks except for composition in free rhythmic and rubato , instruments are synchronized with each other, all channels are synchronized with clicks, and count-offs are added after all pauses, fermatas, and long stops. We choose the most suitable performers from the most brilliant singers and musicians all over the world for every record.
Having agents in all continents, we always search for talents and expand the base of performers. The most advanced sound equipment of nowadays is installed at our studio. We control signal purity, mix transparency, the number of restarts to restore, the lack of interferences, noises or hisses, feedback, groundloops, non-linear harmonics, and other unpleasant phenomena that occur while recording, processing, converting, and coding signals.
0コメント