Goodfellas movie torrent download

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Reilly dying in bloody close-up , the film may use 'real life' as a basis for its ideas, but Martin Scorsese is whom the filmmakers are trying to match. Director Phil Joanou muddies up everything; his vision is very puny and he doesn't shape the scenes with the characters in mind they're incidental to how everything is staged vis-a-vis the camera.

Music is by Ennio Morricone and cinematography by Jordan Cronenweth. With a love interest rekindled and a secret he dare not reveal, Terry is soon caught in a maelstrom of danger and tested loyalties.

It got lost in the slipstream of Goodfellas, but although it's not in the same league as Scorsese's critical darling, State of Grace is a splendid slice of neo-noir gangsterism. The plot is made up of standard genre tropes, divided loyalties, betrayals, kinship, revenge, rivalries, territorial machismo and etc, all of which of course comes laced with spitfire dialogue and sparky violence. The strengths come with the performances of the lead cast members, the visual flourishes via Cronenweth and Joanou and Morricone's classical score.

Penn and Oldman are forces of nature, the former a ball of emotional turbulence, the latter a hopped up maniac with killer tendencies. Harris as the daddio main man is a moody and malevolent presence, as is Joe Viterelli as mafia boss man Borelli.

Wright seems a little out of place in this material, Turturo isn't used nearly enough, but Reilly scores well with a limited role and Burgess Meredith pops in for a superb cameo. It doesn't have originality on its side, but it's a mightily strong film regardless, with the human drama drawing one in as the tech skills impress across the board.

Login Register. Loading, please wait. Quality: All p p p 3D. The fast pace of the story ensures we are either seduced or repulsed by the central character, and rarely anywhere in between. Sympathy or pity is irrelevant, and he is too brutal and trigger-happy to be rooted for as a regular protagonist.

The first film is the slicker of the two, and the more visually satisfying due to the wonderfully stylish recreation of early 60s Paris and elsewhere. Cassel plays Mesrine with youthful vigour here. He's all style and brash confidence, as endearing a wiseguy as any of Scorcese's characters.